These subtle and unique purfling strips were developed to blend with the colours and style of the rest of the instrument.

This unique rosette uses a range of materials including abalone shell and white gold!

The decoration on this rosewood bridge echoes the "cosmic" theme of the rosette in the next picture.

This headstock has a beautiful, bookmatched amazaque veneer, finished with French polish.

A French-polished, cypress-bodied flamenco blanca.

Flamencos (or any instrument) can be fitted with peghed tuners. They look like traditional wood pegs but are internally geared and are made from light alloy. Excellent!

A rosette from various woods including walnut, box, holly and ebony.

This guitar uses bridge-beads to secure the strings - a neat and practical solution!

Indian rosewood back and sides meet a Spanish mahogany neck with integral heel-cap.

Claro walnut can have some wonderful colours and patterns as well as providing a rich, warm tone.

This instrument has a walnut armrest to give a more comfortable radius on the lower bout.

My cutaway design derives from a true classical plan with just a modest, elegant cutaway.

The sides are faired into the heel to avoid ugly steps or over-wide and heavy heel sections.

My favoured finish is with traditional French Polish. This classical guitar looks terrific with FP on pearwood.

These subtle and unique purfling strips were developed to blend with the colours and style of the rest of the instrument.

This unique rosette uses a range of materials including abalone shell and white gold!

The decoration on this rosewood bridge echoes the "cosmic" theme of the rosette in the next picture.

This headstock has a beautiful, bookmatched amazaque veneer, finished with French polish.

A French-polished, cypress-bodied flamenco blanca.

Flamencos (or any instrument) can be fitted with peghed tuners. They look like traditional wood pegs but are internally geared and are made from light alloy. Excellent!

A rosette from various woods including walnut, box, holly and ebony.

This guitar uses bridge-beads to secure the strings - a neat and practical solution!

Indian rosewood back and sides meet a Spanish mahogany neck with integral heel-cap.

Claro walnut can have some wonderful colours and patterns as well as providing a rich, warm tone.

This instrument has a walnut armrest to give a more comfortable radius on the lower bout.

My cutaway design derives from a true classical plan with just a modest, elegant cutaway.

The sides are faired into the heel to avoid ugly steps or over-wide and heavy heel sections.

My favoured finish is with traditional French Polish. This classical guitar looks terrific with FP on pearwood.